* 44.1 kHz/24-bit samples
* Each drawbar multi-sampled separately
* Full mixing of drawbars on scripted panel
* Amp and cab sim plus rotary speaker
* 'Damage' control recreates a trashed instrument
* Carefully optimised for efficient CPU usage
* 5 octave range - extended bottom octave

PRICE - £15 + VAT
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The Vox Continental is probably the most famous of the 'new breed' of transistor organs which emerged in the early '60s.

Previously, organs were built around tone-wheel technology. This undoubtedly created a fantastic (classic) organ sound but made the instruments heavy and unwieldy (and expensive). With the advent of transistors, it was possible to create lightweight, portable organs.... in theory.

In practice, the majority sounded thin and weak by comparison. However, that sound in itself appealled to the new 'surf' and 'beatnik' music which was evolving at the time. The portability also appealled to groups. The Vox Continental was unusual in that it actually sounded quite good.... not cheap and cheesy like so many of its rivals.

These organs used ‘divide down' technology (like the later string synths) where there is a master top octave oscillator and all subsequent octaves are achieved simply by dividing the frequency in half and then half again and so on. It allowed these transistor organs to be manufactured very cost effectively.

Although possibly better known for their amplifiers (the legendary AC30, for example), Vox actually started life as a manufacturer of 'traditional' home and church organs. With the emerging new micro technology of transistors, they saw the possibility to use this technology in their products.

The Vox Continental was the first of these (1962) and had drawbars to create sounds. The first three white ones allowed you to adjust the levels of the 16', 8' and 4' registers whilst the two maroon drawbars offered master level controls for the sine wave and a reedy sawtooth wave. The fourth white drawbar was labelled ‘IV' (known as the 'Rank IV' - dunno why!) and introduced higher harmonics. Below these were the mains switch and a switch to activate a simple vibrato effect.

Of course, one distinctive feature of the Continental was the inverse keyboard. This styling served no purpose other than to make the thing look more distinctive. Another distinctive feature of the instrument was its striking, chrome 'Z-frame' legs - this thing just looked cool compared with the stuffy wooden organ cabinets of the time!

Vox went on to make a dual manual Continental and other variations on the theme. Later on, they produced the Jaguar but many claim that this is a poor substitute for a Continental.

The Vox Continental's most famous user was probably Ray Manzarek of the Doors but prior to this, it was also used by UK organist Alan Price (The Animals), the Dave Clarke Five, the Tornados and countless others.

Although lacking the body and depth of a 'proper' tonewheel organ, the Continental has a strong and distinctive sound nonetheless and still has many devotees today. When distorting through an amp and cab, the thing can really rock!!

The Kontakt version has been carefully scripted to recreate the front panel of the original as closely as possible but with some obvious advantages too and comes with amp and cab simulation, rotary speakers as well as more modern effects such as chorus and reverb. There's even a 'Damage' control to make your 'Connie' sound more beaten up!!

My thanks to Forgotten Keys for assistance with some effects scripting and to Alasdair Reid for the audio demo.

Download the User's Guide HERE

NOTE : It will work with the Kontakt Player but only in 'demo' mode and the session will be time limited.

Thank u so much for making this sample set!! You have fulfilled all of my wildest Doors fantasies!! No other software manufacturer has got it right until now.

Dustin - via iPhone

Up and running - this is one cool instrument!

Gotta get hold of a 'Z' chrome stand for my mother keyboard, though.

Joachim - KVR

I bought your Vox Conti this morning. I reaaaaally love it! Been using it all morning! Great stuff!

Chris Salt

One of your best. Love the drawbars. great fun. Well done.


This brought back so many memories for me. My father had one when I was a kid and I hated it because I was into prog and Purple and ELP with Hammonds. He was into music from the early 60s and the Doors, etc.

When he died, I don't know what happened to his Vox but I have bought various libraries of it since just for the memories really. None of them were that good because they were just presets of different drawbar settings. So when I saw yours with the virtual drawbars, I thought I'd give it a go. It's fantastic and really captures the sound I remember and relives my memories almost perfectly.

So thank you for not just giving me a great instrument to play with (my opinion of the Vox has changed now I am older BTW - LOL) but giving me a nice link with my dad. Every time I play it, I think of him playing his and was quite emotional when I first installed it and played it. Im sure he'd be very happy to know that I like the sound now.


i had to have this after hearing your demos. i love it. fantastic fun

josh - via email

I just wanted you to know that I'm loving this thing. The drawbars are freaking amazing and I can't imagine how you did that. I am really impressed.

Randy - via email

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